Posted in Coursework, Part 5

Cycle 5: Elbigenalp cross

Note 12/06/2019: Some text has been added after Assignment 5 feedback has been received. This has been dated and highlighted to provide context.

Context

On the top of a mountain near Elbigenalp there stands a cross which is clearly visible from the valley. I first saw thew cross back when I visited the valley for the first time, and wanted to get up to it. I finally managed to get to the top, and the scale of the cross and its presence is hard to put into words. I decided to see what I could do with a drawing.

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Posted in Exhibitions & Books, Research & Reflection

Visit to the Tate Modern

This started a productive week and weekend of art visits. I happen to be working very near the Tate Modern at the moment, and so decided to “pop in” over a couple of lunch time sessions. Even in such short sessions I managed to see a lot of new material, and found Galleries I hadn’t been in before. The following image summary gives an idea of the range:

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Posted in Art and Artists, Coursework, Experiments, Part 4, Research & Reflection, Sketchbook

Linking to Egon Schiele

Now, lets try a similar experiment with Egon Schiele, who I have less exposure of. Again, I’ll start by looking at some images:


“Reclining Woman”  from https://www.dorotheum.com/blog/en/egon-schiele-radical-draughtsmen/
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Posted in Art and Artists, Experiments, Part 4, Research & Reflection

An experiment linking to artists

On of the challenges that I have is that of considering artistic style and approach. One challenge my tutor left me with is to:

“Link your work to that of others and make it clear
that this is what you’re doing”

Part 3 Formative feedback

So, lets start by considering one artist whose figurative work I admire – Maggi Hambling. To start, lets examine a number of her figurative drawings that I like:

Portrait of Dr David Brown
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Posted in Assignment 3, Assignments, Coursework, Part 3

Assignment 3

Starting

Brief review

The brief for this assignment calls for the following main criteria for the drawing:

  • Outdoor scene in A1 or A2;
  • Shows depth – aerial or linear perspective;
  • Natural objects;
  • Straight lined objects.

The scene selection and approach are closely aligned. The instructions provide the following approach:

  • Preliminary drawings to experiment with the composition.
  • Make sketches to practise the perspective of the scene right.
  • Broad sketches in charcoal or diluted ink and brush and trial other media.
  • With an A2 or A1 keeping your preliminary sketches around you for reference.

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