Posted in Coursework, Notes, Part 3

Project 3: Composition

It took some re-reading and thinking to understand what this exercise was really asking for. I decided that this was one of the projects which is effectively a single piece of work. The first part is to play with ideas for a major composition. The second part is to create an A3 landscape drawing based on the selected composition.

Exercise 1 Developing your studies

Seaside sunset

Some initial thoughts in my sketchbook…

img_6672 Continue reading “Project 3: Composition”

Posted in Art and Artists, Coursework, Part 3, Research & Reflection

Research Point: Landscape Artists

The research point states “Research artists from different eras who use landscape as their main subject.” I will also include a slightly wider catchment than this, as there are a number of interesting artists who produce Landscape images but without this being a primary subject for them.

To start considering this I decided to start by throwing the net wide. Searching for landscapes on WikiArt , at the Tate and the V&A provides a host of landscape based artwork to consider. Some of this falls within the approach that’s suggested by the question, but not all. Kandinsky, for example, might not be considered primarily a landscape artist – but the following is of interest:

Landscape with factory chimney, Wassily Kandinsky
Landscape with factory chimney, Wassily Kandinsky from

In addition to those searches I also subscribe to a number art feeds on Twitter, and this regularly provides landscape material that I like. The resulting set of images quickly provides an idea of just how vast the field of landscape drawing and painting can be. Continue reading “Research Point: Landscape Artists”

Posted in Sketchbook

Life Drawing

This is my first session in quite a while, and it shows:

The only one I really like is the 15 minute pose from behind, where I concentrated more on tone than line. For the 20 minute pose I managed to get lost in proportions, and didn’t have time to fix it. I think it was the foreshortening  on the leg that threw me. It was a similar story with the final pose, although here I realised my mistake (which was the angle of the back this time) with enough time left for a partial fix.

In terms of moving forwards, I need to keep practising and so need to find a way to get to life drawing sessions more reliably. That is going to be a challenge given the timings of my new role.