Posted in Coursework, Part 1

Project 2 Ex 3: Line work

Trying different ways to represent shading and subtle details with line. This includes ball pen, pencil and fine liner. Continue reading “Project 2 Ex 3: Line work”

Posted in Notes, Research & Reflection

Figure Drawing Research

This may be a bit of a strange post, as I am effectively documenting a set of resources that I’ve been using to try to improve my figure drawing. Most of them I’ve collected together fairly recently, but some I’ve been using for a while. I can’t say the list is exhaustive but this is an area I’ve been struggling with for a while, as I suspect do many people when learning to draw figures. This means I’ve collected quite a few sources of information, and am identifying some of the key ones here to give an idea of the signposts that I’ve found to point me in roughly the right direction. I think between them these resources provide the information I need to make progress. Now I need a lot of practice and reflection. Continue reading “Figure Drawing Research”

Posted in Foundation Drawing - ASSIGNMENT 5, Foundation Drawing - ASSIGNMENTS, Notes, Practice, Research & Reflection

Drawing for Sculpture

Whilst I was in Austria an opportunity arose to bid for a piece of “Public Art” sculptural work. They wanted a 1:5 design for a large piece. I proposed the delivery of a 4 section “log carving”. By that I mean deep relief sculptures created by carving into the log from the bark side. The design appears in a window within the log. I’ve done a number of smaller pieces in this style, which I was able to include photos of. I did, however, want to make sure the full idea of the design was clear. Continue reading “Drawing for Sculpture”

Posted in Practice

Ornamental carving

The second week of my stay in Elbigenalp concentrated on Ornamental sculpture. The initial discussion struck a very strong note: The basis of all ornamental carving is drawing. An important aspect of starting the whole process was visual research, looking through ornament reference books. This was followed by an initial drawing, which has edges and shading added to help the carver understand the form being described more fully. As part of the process I did make a small maquette, but that was mainly to help me think through the major forms. The photographs below tell the story fairly well: Continue reading “Ornamental carving”