Posted in Coursework, Part 4, Sketchbook

Life Drawing 4/9

The next of my Life Drawing sessions. We started with a blind contour drawing

Continue reading “Life Drawing 4/9”

Posted in Assignment 1, Assignments, Coursework, Part 1

Assignment 1: Evaluation and Reflection

Reflection and Evaluation

What went well?

I like the image overall, as stated previously. The items have meaning for me, and I am hopeful that at least some element of that shows through. The drawing was well received by my wife, who will have similar associations with the individual objects chosen. She called it “An homage to Greece” which fits my intention fairly well. Continue reading “Assignment 1: Evaluation and Reflection”

Posted in Notes, Research & Reflection

Figure Drawing Research

This may be a bit of a strange post, as I am effectively documenting a set of resources that I’ve been using to try to improve my figure drawing. Most of them I’ve collected together fairly recently, but some I’ve been using for a while. I can’t say the list is exhaustive but this is an area I’ve been struggling with for a while, as I suspect do many people when learning to draw figures. This means I’ve collected quite a few sources of information, and am identifying some of the key ones here to give an idea of the signposts that I’ve found to point me in roughly the right direction. I think between them these resources provide the information I need to make progress. Now I need a lot of practice and reflection. Continue reading “Figure Drawing Research”

Posted in Foundation Drawing - ASSIGNMENT 5, Foundation Drawing - ASSIGNMENTS, Notes, Practice, Research & Reflection

Drawing for Sculpture

Whilst I was in Austria an opportunity arose to bid for a piece of “Public Art” sculptural work. They wanted a 1:5 design for a large piece. I proposed the delivery of a 4 section “log carving”. By that I mean deep relief sculptures created by carving into the log from the bark side. The design appears in a window within the log. I’ve done a number of smaller pieces in this style, which I was able to include photos of. I did, however, want to make sure the full idea of the design was clear. Continue reading “Drawing for Sculpture”

Posted in Practice

Ornamental carving

The second week of my stay in Elbigenalp concentrated on Ornamental sculpture. The initial discussion struck a very strong note: The basis of all ornamental carving is drawing. An important aspect of starting the whole process was visual research, looking through ornament reference books. This was followed by an initial drawing, which has edges and shading added to help the carver understand the form being described more fully. As part of the process I did make a small maquette, but that was mainly to help me think through the major forms. The photographs below tell the story fairly well: Continue reading “Ornamental carving”

Posted in Practice

Drapery Sculpture

As part of my time in Elbigenalp I’ve been looking at Drapery this week. The first part of the exercise was to look at Drapery historically, which is the subject of another blog post. The next part of the task was to take a study cast and to place a dress on it with (reasonably) realistic clothing folds. This is somewhat more complex than it might seem at first. The Drapery Research blog post gives an idea of the way that the rules of drapery work.  Continue reading “Drapery Sculpture”