Posted in Coursework, Part 1

Project 2: Basic shapes and fundamental form

Reworked following part 2 tutor feedback.

Ex 1: Groups of Objects

Approach

Considerations

  • What subject to choose?
    • The examples imply kitchen and household objects, but that isn’t stated as a requirement. There should be some simple geometric forms and others that are more complex.
    • Despite not requiring household objects they do fit the brief very well, and there is plenty of scope for interest.
    • An alternative might be ceramic materials. Maybe a bag of clay, some glaze buckets and ingredients etc. This could make for an interesting composition. There is then scope to incorporate a concrete floor or the bench behind it.
  • What surface to use?
    • It is stated A2 or A1, but encourages an imaginative use of materials.
    • Might be worth trying some of the paper we use as packing. Quite a robust material and probably suitable for use. In this case it would probably be worth having ripped edges rather than neatly cut to emphasise the “utilitarian” nature of the materials.
    • Similarly I have some yellowed wallpaper off-cut (I think its an underlay) which might make an interesting utilitarian material.
  • How to “loosely describe” the objects? How to achieve representation of “weight, transparency, shine, etc.”? How might the contents help in the depiction of the form?
    • The sample image is a line drawing, but the assignment doesn’t specify that it must be. Definitely could be lines with basic shading etc.
    • In this case I like the start I made in my practice drawing: Light outlines, then darken for the visible lines and lastly a bit of shading and context using a variety of line strengths etc to provide the interest.
    • The answer to the follow-on questions clearly relates to what is being drawn. In the case of a plastic
  • One colour is specified, but not the mark making material. What would fit the subject? What would I like to work with?
    • This partly depends on the material I’m drawing on. If I’m using a utilitarian surface then the mark making material needs to work with that. There
  • What context should the items be placed in? (What sitting on and in the background.)
    • For kitchen items the kitchen itself would make most sense. Possibly the worktop and back wall, for example.
    • For the clay materials the best context is the pottery or glazing/kiln room depending on whether I am drawing the making or firing.

Continue reading “Project 2: Basic shapes and fundamental form”

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Posted in Notes, Research & Reflection, Sketchbook

Drawing with rhythm

I came an interesting section about drawing with rhythm in Andrew Loomis’ book “Figure Drawing for all its worth.” (PDF available here.) He describes drawing with rhythm as following through the major lines of forms in various graceful curves as part of the setup. The drawing on page 136 is of particular interest in this respect. As an experiment in this approach I tried a drawing of a dancer. Although I am unhappy with many of the details of the image, the basic idea of building up the form with interesting curves was very useful. Now I just need to learn a whole bunch about anatomy.

Posted in Foundation Drawing, Foundation Drawing - Part 4

Project 4.1: Making a start

Its taken me a while to actually start Project 4.1. Partly this was taking a break in general, but I have also been trying to do some practice and consideration of how best to approach it. The brief makes it clear that this is about building a network of lines and not continually rubbing stuff out if you make a mistake. It is also about building a fair sense of tone with line based marks rather than density of mark making material. These approaches are both quite new to me. Continue reading “Project 4.1: Making a start”

Posted in Foundation Drawing - ASSIGNMENT 2, Foundation Drawing - ASSIGNMENTS, Notes, Research & Reflection

Reflection on Tutor feedback

On consideration I’ve decided that it is appropriate to reflect on my tutor’s feedback again. This is more for my own thinking than as a response. After my Assignment 2 feedback I realised that I hadn’t understood and/or followed some of his advice. Considering each point explicitly at this point seems worthwhile as a completeness check, and to build a “further work” list. Continue reading “Reflection on Tutor feedback”