Consideration based on “Making Sense of Art History“. I’ve selected this approach as a basis to see if it helps me consider the work in a deeper sense. Continue reading “Analysis: Sheep landscape by Michelle Shuff”
Agnes Martin is giving me a bit of a philosophical challenge. From what I can see I think I’d quite like her work, but the meaning discussed about her body of work seems quite “Emperor’s new clothes”. She is definitely an artist where the work doesn’t translate to internet based images. The body of is based around the imperfections of hand making around the “perfect” grid concept. Continue reading “In the Studio: Agnes Martin”
I seem to be engaging with this approach to exploring the Abstract Expressionists. The next Artist on the Journey was Mark Rothko, who creates complex colour field paintings. Again, when I went to the Abstract Expressionist exhibition last year Rothko was one of the artists that stood out. These colour fields are complex for pieces that are (initially at least) seeming fairly simple in concept. Continue reading “In the Studio: Mark Rothko”
I’ve been working on a relief carving of a Thames barge for a while. I had a dark patch under the bowsprit. Unfortunately I needed to deep it a touch, and in doing so a knot below crumbled. I now need to work out a way to patch it which is in keeping with the design, is achievable and will be sufficiently robust.
What are the things I like?
I’ll start with some of my own sculpture that I actually like. I’m sticking to pieces that are my design, rather than copies of someone else’s work. When on courses at the Austria wood carving school one of the major teaching devices is to get you to carve from others designs. Although I like many of these, I don’t really consider them my work. Continue reading “Developing Artistic Style, part 2”
This particular journey started whilst touring Pinterest. It is something I have come to realise that I need to do previously, but in a fairly abstract way rather than considering a research-based approach. This is a theme that keep recurring, as in “Newman made Pagan Void two years before he discovered his artistic direction. Like many of his peers, he was interested in Native American art and Surrealism, influences visible in the biomorphic shapes in this abstraction.” (From
https://www.coursera.org/learn/painting/supplement/KojL2/2-1-introduction-to-barnett-newman, part of the “In the Studio: Postwar Abstract Painting!” course about Barnett Newman. You may have to sign up to view the material, URL Viewed 05 April 2017) This sort of reference occurs many times, and I have observed it in a number of artists. The concept seems to be that an artist tries lots of different approaches and techniques until the find something that they focus on and really get involved with. Continue reading “Developing Artistic Style”
On consideration I’ve decided that it is appropriate to reflect on my tutor’s feedback again. This is more for my own thinking than as a response. After my Assignment 2 feedback I realised that I hadn’t understood and/or followed some of his advice. Considering each point explicitly at this point seems worthwhile as a completeness check, and to build a “further work” list. Continue reading “Reflection on Tutor feedback”