Back in February I visited this exhibition, and for various reasons I keep coming back to think about it. Unfortunately you couldn’t take photographs and there is little about the exhibition available on the Internet. The works were highly varied, within the theme of the Nigerian civil war. This is a subject that I have little personal connection with, but it has made me think about artists’ responses to such events and the fallout from them.Continue reading “Art being viewed…”
I started setting up to do a still life with a cabbage as part of the assignment work. This is based on a pointed cabbage we picked up. (Now eaten, but I’ve still got photographs.)
As an investigation around this, however, I decided to have a look around at how different artists had treated still life images including a cabbage. It turns out it is a fairly rich field, as a quick Google search and following on from it revealed.
A slight aside, but one of the criteria for the course involves showing an understanding of the contemporary context of Art. To try to help get up to speed on the current art scene I’ve been subscribing to various Art-based newsletters. One of these pointed me to the Net Art Anthology. This lists various art projects on the internet, and has some interesting concepts in the mix.Continue reading “Net Anthology and Street View”
One of the influences that I have is a regular supply of images and works from the Internet. Some of these come through Twitter (See https://twitter.com/waddy100), others from new articles and so forth. Most of these will go unrecorded, and float through. Some of these end up referenced in blogs and considered more formally – and a very few will end up printed and considered in my physical sketchbooks. I view and collect far more material, however, than I would ever write up in any formal way. I have, therefore, decided to acknowledge and comment on a small proportion of it. This is, in effect, an electronic extension of my physical sketchbook for recording the art I view and my thoughts on it.Continue reading “Art being viewed…”
I wondered why the part has been given the name, and whether it is intended to have a special artistic connotation. I started with a disctionary definition:
a. a close association with or detailed knowledge or deep understanding of a place, subject, period of history, etc.:
an intimacy with Japan.
b. an act or expression serving as a token of familiarity, affection, or the like:
to allow the intimacy of using first names.
c. the quality of being comfortable, warm, or familiar:
the intimacy of the room.
Researching still life as a genre is a very wide brief, and so I started with a very wide net. I search for the term on wikiart, at the Tate Modern and V&A. The breadth of the collection of resultant images can be considered by comparing the featured image by CARAVAGGIO with one by Mondarian. Continue reading “Research Point: Still life genre”
The featured image was taken as I walked across the famous wobbly bridge from St Paul’s Cathedral across to the Tate Modern gallery. I was going to meet up with an OCA tutor and group of students to see the Modigliani exhibition. We met up with the tutor Gerald Deslandes, and received a brief introduction and then went on in. Although I went in with two others we didn’t stay together for long, though met up a few times around the show.