Posted in Foundation Drawing, Foundation Drawing - Part 5

Project 5.1: Testing the leaf print…

Despite my earlier post‘s statement that I wouldn’t bother, I decided to try to elicit some feedback on the print from the OCA forum here: https://discuss.oca-student.com/t/foundation-drawing-abstract-monotype-on-the-theme-of-balance/5846 Continue reading “Project 5.1: Testing the leaf print…”

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Posted in Art and Artists, Foundation Drawing - ASSIGNMENT 5, Foundation Drawing - ASSIGNMENTS, Foundation Drawing - Part 5, Research & Reflection

Prunella Clough monoprint

First impressions

My eyes went first to the central block of monoprint, then wandered up to the attached watch and white sections above. No thoughts on meaning at this point. Subject might be a city scape, in which case the watch would be a clock.

Continue reading “Prunella Clough monoprint”

Posted in Art and Artists, Notes, Research & Reflection

In the Studio: Reflection

What have I learnt?

My tutor (Emma Drye) labelled Jackson Pollock as a “Painter’s painter”, and I think I am beginning to understand this statement. Much of this work is about the act and experience of painting. The observer is expected to understand this – at least to a degree. I was close to the point when I wrote about “Art as Materials Study,” though that is only an element of the overall meaning. Add in a dose of an artist trying to get you to spend a significant amount of time on their work, whether in appreciation or struggle. The observation of this work becomes an experience in itself, and that is beyond the encoding on meaning into the symbolism of a flower. Continue reading “In the Studio: Reflection”

Posted in Art and Artists, Research & Reflection

In the Studio: Yayoi Kusama

“Infinity net painting.” Oil over acrylic works, not the other way round. – Big douse of black, with a bit of colour for interest. Think what to do with edges. Kusama often left them primed. Making the ground very smooth, rather than having brush strokes visible. Allow to dry then sand with 120 grit. Provides a less glossy surface and exposes the weave slightly. Continue reading “In the Studio: Yayoi Kusama”