I had a quick reminder as to why I’m doing the drawing course last week – on a clay modelling course. Although the work produced might not be the height of artistic achievement, it was very much based in drawing. The following images from my sketchbook illustrate the point – when combined with the “finished” work from featured image. Continue reading “Drawing into Sculpture…”
It took some re-reading and thinking to understand what this exercise was really asking for. I decided that this was one of the projects which is effectively a single piece of work. The first part is to play with ideas for a major composition. The second part is to create an A3 landscape drawing based on the selected composition.
Exercise 1 Developing your studies
Some initial thoughts in my sketchbook…
Part of my on-going efforts to draw people. Getting better. This is starting to form a series: I’ve taken a set of photos on trains, at stations and commuting in general to use as subjects for sketches.
Reworked following part 2 feedback.
Ex 1: Expressive lines and marks
This was an odd exercise, and one it took me a while to start. That may have had something to do with December not being a productive month in general though. Continue reading “Project 1: Feeling and expression”
I’ve been reflecting on “my Sketchbook” of late, after reading the OCA article on keeping sketchbooks posted recently. (View article…) I’ve also been having to rethink my approach based on the printing work I’ve been doing. For most of the course my sketchbook has been a book I carry around and draw in. That clearly isn’t what this article is referring to as a sketchbook. So, am I keeping a sketchbook in these terms at all? I don’t have a set of bound physical pages that contain the sorts of thinking and information described as a sketchbook – so on the face of it “No.” Continue reading “Reflections on my Sketchbook”