… You have responded well to the challenge of working things out THROUGH drawing that I set you last time. There’s a palpable sense of you taking control of the work in this submission. You’ve deliberately avoided doing in depth ‘book’ research in order to focus on making. This has worked. Well done. Obviously there’s work to do, but I feel that you have made good progress with this submission and that the work you have made is more ‘you’. Continue reading “Assignment 3 Feedback”
Exercise 1 Sketchbook of townscape drawings
I chose this building because of the interesting curve in combination with the glass and concrete look. Quite typical for this area near the Barbican. The light was coming from behind in the early morning, with the building opposite throwing a shadow on it.The horizon was below the image bottom, which I felt emphasised looking up and size. For a taller building I’d need a touch of vertical foreshortening. Continue reading “Project 5: Townscapes”
It took some re-reading and thinking to understand what this exercise was really asking for. I decided that this was one of the projects which is effectively a single piece of work. The first part is to play with ideas for a major composition. The second part is to create an A3 landscape drawing based on the selected composition.
Exercise 1 Developing your studies
Some initial thoughts in my sketchbook…
This is from Part 2, but I intended to do a quick write up. I tried an experiment with Oil Pastels quite early on in part 2, when I was trying a range of media for the first time. At that point I made the observation that this is likely to be a medium for avoiding detail. Continue reading “Technique: Oil Pastels”
Note: Reworked following Part 2 feedback, including merging together the parts of the thread.
I’ve had a few ideas for Assignment 2, but since my earlier lichen drawing it’s a subject I’ve wanted to revisit. This time, however, I’m planning to take a different approach. Continue reading “Assignment 2: Lichen revisited”