You set out a clear plan – described as a
series of ‘cycles’ – for the creation of several work informed by the work of
other artists. As discussed, the submission seems a little thin when compared
to – for example – the figure drawing submission last time. You have time to
return to the project(s) you have set yourself and flesh them out and explore
them more fully.
Continue reading “Assignment 5 Feedback”
Developing a body of work that conveys the feeling of the landscapes.
This enquiry was focused on building a body of work, rather than a single drawing, which was trying to convey the feeling of places in landscape drawings. This meant selecting an appropriate approach to creating the image that would convey something of the image which isn’t based in technical accuracy.
Continue reading “Assignment 5”
… As discussed, you have been attending life classes throughout your Drawing One time and some of the work you submitted is over a year old. We mostly spoke about the work made more recently as this benefits from the feedback I’ve given on other work. …
Continue reading “Part 4 Feedback”
Approach and Progress
As noted previously, I knew from the start of the course that part 4 would be a challenge for me. I started making progress with Life Drawing classes, but a change of working approach made it much more difficult to get to these sessions as much as I’d like. Strangely, therefore, I’ve been doing less life drawing during the Part 4 than I did earlier in the course.
Continue reading “Part 4 Reflection”
… You have responded well to the challenge of working things out THROUGH drawing that I set you last time. There’s a palpable sense of you taking control of the work in this submission. You’ve deliberately avoided doing in depth ‘book’ research in order to focus on making. This has worked. Well done. Obviously there’s work to do, but I feel that you have made good progress with this submission and that the work you have made is more ‘you’. Continue reading “Assignment 3 Feedback”
The brief for this assignment calls for the following main criteria for the drawing:
- Outdoor scene in A1 or A2;
- Shows depth – aerial or linear perspective;
- Natural objects;
- Straight lined objects.
The scene selection and approach are closely aligned. The instructions provide the following approach:
- Preliminary drawings to experiment with the composition.
- Make sketches to practise the perspective of the scene right.
- Broad sketches in charcoal or diluted ink and brush and trial other media.
- With an A2 or A1 keeping your preliminary sketches around you for reference.
Continue reading “Assignment 3”
In the following extract I’ve retained the relevant feedback for my development and removed content which seems inappropriate to share. Missing content is denoted with “…”. My initial reflection on the feedback follows it.
In the blog you write about your research method. It would be good to use drawing as the principle research method. When you spend time with a subject and forget about what’s ‘right’ you make some good work. At the moment though, you tend to be hidebound by the discoveries / methods of others. Allow yourself to investigate the media and the subject THROUGH drawing and not through reading about other people’s way of making things. Continue reading “Part 2 Feedback and Reflection”