Source: THE ARBOREALISTS – 5 May 2017
Artists that specialise in tree related drawings and paintings. Now that sounds like something I should have a close look at – when I can find the time.
Consideration based on “Making Sense of Art History“. I’ve selected this approach as a basis to see if it helps me consider the work in a deeper sense. Continue reading “Analysis: Sheep landscape by Michelle Shuff”
Well, I guess I had to get back here sooner or later. Interestingly, however, I think this approach to finding his work at least helps me understand it to a degree. I think I am also starting to understand why I don’t “get it.” My tutor described Pollock as “a painter’s painter”, and I have never really had a serious attempt at painting. This (to my mind) limits my ability to appreciate a body of work that is essentially about the action of making a painting in different ways. Continue reading “In the Studio: Jackson Pollock”
The initial video is about de Kooning’s style and approach. Here the artist is an “Action Painter” with major gestural marks on a large format and working with the “physicality of the medium”. This is explained in the videos as using the liquid and viscous properties of different paints and paint blends to get effects. Continue reading “In the Studio: Willem de Kooning”
What are the things I like?
I’ll start with some of my own sculpture that I actually like. I’m sticking to pieces that are my design, rather than copies of someone else’s work. When on courses at the Austria wood carving school one of the major teaching devices is to get you to carve from others designs. Although I like many of these, I don’t really consider them my work. Continue reading “Developing Artistic Style, part 2”