Back in February I visited this exhibition, and for various reasons I keep coming back to think about it. Unfortunately you couldn’t take photographs and there is little about the exhibition available on the Internet. The works were highly varied, within the theme of the Nigerian civil war. This is a subject that I have little personal connection with, but it has made me think about artists’ responses to such events and the fallout from them. Continue reading “Art being viewed…”
I started setting up to do a still life with a cabbage as part of the assignment work. This is based on a pointed cabbage we picked up. (Now eaten, but I’ve still got photographs.)
As an investigation around this, however, I decided to have a look around at how different artists had treated still life images including a cabbage. It turns out it is a fairly rich field, as a quick Google search and following on from it revealed.
Researching still life as a genre is a very wide brief, and so I started with a very wide net. I search for the term on wikiart, at the Tate Modern and V&A. The breadth of the collection of resultant images can be considered by comparing the featured image by CARAVAGGIO with one by Mondarian. Continue reading “Research Point: Still life genre”
I’ve been at the Coursera again. This time “Art & Ideas: Teaching with Themes” (https://www.coursera.org/learn/ideas). The idea is to consider Modern and Contemporary art within the context of its meaning rather than by time and art movement. The themes are: “Places & Spaces”, “Art & Identity”, “Transforming Everyday objects” and “Art & Society”. The main interest lies in their coverage of the context around a number of pieces and the way that they mesh with the theme. Continue reading “Modern Art Themes…”