Seated model in an upright chair
I started this with the Schiele experiment:

I started this with the Schiele experiment:
Now, lets try a similar experiment with Egon Schiele, who I have less exposure of. Again, I’ll start by looking at some images:
On of the challenges that I have is that of considering artistic style and approach. One challenge my tutor left me with is to:
“Link your work to that of others and make it clear
Part 3 Formative feedback
that this is what you’re doing”
So, lets start by considering one artist whose figurative work I admire – Maggi Hambling. To start, lets examine a number of her figurative drawings that I like:
… You have responded well to the challenge of working things out THROUGH drawing that I set you last time. There’s a palpable sense of you taking control of the work in this submission. You’ve deliberately avoided doing in depth ‘book’ research in order to focus on making. This has worked. Well done. Obviously there’s work to do, but I feel that you have made good progress with this submission and that the work you have made is more ‘you’. Continue reading “Assignment 3 Feedback”
I chose this building because of the interesting curve in combination with the glass and concrete look. Quite typical for this area near the Barbican. The light was coming from behind in the early morning, with the building opposite throwing a shadow on it.The horizon was below the image bottom, which I felt emphasised looking up and size. For a taller building I’d need a touch of vertical foreshortening. Continue reading “Project 5: Townscapes”
It took some re-reading and thinking to understand what this exercise was really asking for. I decided that this was one of the projects which is effectively a single piece of work. The first part is to play with ideas for a major composition. The second part is to create an A3 landscape drawing based on the selected composition.
Some initial thoughts in my sketchbook…