The overall challenge I set myself for Part 5 was to develop my ability to convey an impression of a landscape, rather than to focus of accurate portrayal. I want the viewer to gain a sense of the scene from looking at the picture, leading to a level of interest in the image beyond that simple representation of the scene.
Continue reading “Reflection on Part 5”
Note 12/06/2019: Some text has been added after Assignment 5 feedback has been received. This has been dated and highlighted to provide context.
On the top of a mountain near Elbigenalp there stands a cross which is clearly visible from the valley. I first saw thew cross back when I visited the valley for the first time, and wanted to get up to it. I finally managed to get to the top, and the scale of the cross and its presence is hard to put into words. I decided to see what I could do with a drawing.
Continue reading “Cycle 5: Elbigenalp cross”
Although this isn’t exact a new concept for drawing it is definitely one that is close to my heart. I’ve spent much of my life on and near the bodies of water. Early in life it was the Lakes of Cumbria and smaller bodies of water. Later this has expanded out to the sea, and threaded through all of this is running water in rivers and streams – with the inevitable water falls. For this cycle I’ve decided to focus on the sea.
Continue reading “Cycle 4: The sea”
Fountains Abbey is a beautiful place owned by the National Trust. Its connected to a large park and water gardens, and even when relatively crowded it has an air of tranquillity about it. I also have strong connotations with the site due to walking round it with my wife, and sometimes my children, as a break point in long journeys.
Continue reading “Cycle 3: Fountains Abbey”
In this cycle I’m shifting focus to studies using line over tone. That is:
- Using line over tonal blocks to represent the image;
- To convey a strong impression of the scene;
- To convey texture using line;
This is a bit more of a stretch, as my line work has left something to be desired over time. I’ve included it at this stage because I suspect that it is an area where improvement would lead to benefits elsewhere.
Continue reading “Cycle 2: Line study”
For this first cycle I’ve decided to follow up on my tutor’s suggestion of focusing on tonal work. Thus I would like to achieve the following:
Continue reading “Cycle 1: Tonal study”
- Tonal drawing with no visible outline.
- Grey scale rather colour.
- Matching tone and medium to subject; and
- Conveying the feeling of the scene – rather than accurate technical portrayal.
The course notes for part 5 require a written review of the part of the course so far. To a degree I’ve been doing this as I go, with the following articles providing the main content:
Continue reading “Considering Part 5”