Posted in Assignment 3, Assignments, Coursework, Notes, Part 3

Assignment 3 Feedback

Overall Comments

… You have responded well to the challenge of working things out THROUGH drawing that I set you last time. There’s a palpable sense of you taking control of the work in this submission. You’ve deliberately avoided doing in depth ‘book’ research in order to focus on making. This has worked. Well done. Obviously there’s work to do, but I feel that you have made good progress with this submission and that the work you have made is more ‘you’. Continue reading “Assignment 3 Feedback”

Posted in Assignment 3, Assignments, Coursework, Part 3

Part 3 Reflection

Assignment 3

Fit to brief

Composition

The image includes both natural and man made objects, with plenty of scope for demonstrating depth. Oddly for the Langdales there wasn’t that much water vapour in the air the day I took the visual notes, and so there wasn’t much aerial perspective present. I considered adding it anyway, but I quite like the darker mountains in the far distance. Continue reading “Part 3 Reflection”

Posted in Assignment 3, Assignments, Coursework, Part 3

Assignment 3

Starting

Brief review

The brief for this assignment calls for the following main criteria for the drawing:

  • Outdoor scene in A1 or A2;
  • Shows depth – aerial or linear perspective;
  • Natural objects;
  • Straight lined objects.

The scene selection and approach are closely aligned. The instructions provide the following approach:

  • Preliminary drawings to experiment with the composition.
  • Make sketches to practise the perspective of the scene right.
  • Broad sketches in charcoal or diluted ink and brush and trial other media.
  • With an A2 or A1 keeping your preliminary sketches around you for reference.

Continue reading “Assignment 3”

Posted in Coursework, Notes, Part 3

Project 5: Townscapes

Exercise 1 Sketchbook of townscape drawings

Barbican Corner

I chose this building because of the interesting curve in combination with the glass and concrete look. Quite typical for this area near the Barbican. The light was coming from behind in the early morning, with the building opposite throwing a shadow on it.The horizon was below the image bottom, which I felt emphasised looking up and size. For a taller building I’d need a touch of vertical foreshortening. Continue reading “Project 5: Townscapes”

Posted in Coursework, Notes, Part 3

Project 3: Composition

It took some re-reading and thinking to understand what this exercise was really asking for. I decided that this was one of the projects which is effectively a single piece of work. The first part is to play with ideas for a major composition. The second part is to create an A3 landscape drawing based on the selected composition.

Exercise 1 Developing your studies

Seaside sunset

Some initial thoughts in my sketchbook…

img_6672 Continue reading “Project 3: Composition”

Posted in Art and Artists, Coursework, Part 3, Research & Reflection

Research Point: Landscape Artists

The research point states “Research artists from different eras who use landscape as their main subject.” I will also include a slightly wider catchment than this, as there are a number of interesting artists who produce Landscape images but without this being a primary subject for them.

To start considering this I decided to start by throwing the net wide. Searching for landscapes on WikiArt , at the Tate and the V&A provides a host of landscape based artwork to consider. Some of this falls within the approach that’s suggested by the question, but not all. Kandinsky, for example, might not be considered primarily a landscape artist – but the following is of interest:

Landscape with factory chimney, Wassily Kandinsky
Landscape with factory chimney, Wassily Kandinsky from https://www.wikiart.org/en/wassily-kandinsky/landscape-with-factory-chimney-1910

In addition to those searches I also subscribe to a number art feeds on Twitter, and this regularly provides landscape material that I like. The resulting set of images quickly provides an idea of just how vast the field of landscape drawing and painting can be. Continue reading “Research Point: Landscape Artists”